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Politkovskaya |
Ustinovskaya, Yekaterina |
Уже 22 года... |
24/10/24 13:38 more... |
author Аноним |
Kurbatova, Christina |
Детки Милые, хорошие наши детки!!! Так просто не должно быть, это больно, это нечестно, это ужасно. |
30/06/24 01:30 more... |
author Ольга |
Grishin, Alexey |
Памяти Алексея Дмитриевича Гришина Светлая память прекрасному человеку! Мы работали в ГМПС, тогда он был молодым начальником отдела металлов, подающим боль... |
14/11/23 18:27 more... |
author Бондарева Юлия |
Panteleev, Denis |
Вот уже и 21 год , а будто как вчера !!!! |
26/10/23 12:11 more... |
author Ирина |
Ustinovskaya, Yekaterina |
Помним. |
24/10/23 17:44 more... |
author Аноним |
Kochat, Yevgeny |
Written by Коллеги | |||||||||
Четверг, 02 Июль 2009 | |||||||||
Age 35; Russia, Moscow.
Yevgeny Kochat was born in
Zhenya (Yevgeny) was born in the Ukraine, and Ukrainian was his mother tongue. He practically never knew his father, who had left the family when Zhenya was three. As far as his music studies go, it is an unusual story. He went to music school himself, wanting to play the piano, but they registered him for the violoncello. Zhenya did not want to, he gave it up after only two years and did not learn very much. He went to school, and did not even think about music. Later, it is almost an anecdote. Zhenya had an older friend, who had graduated from the Chernovtsy music academy, returned from the army, and got in at the music school. But he did not have enough students. His friend asked Zhenya: «Sign up, I'll count you in my class. I won't even touch you, and I'll have enough for a class.» It was all going fine, until it was time for exams, and he had to show off his student. Zhenya back then was 16. To help out his friend, scarcely two weeks before his performance he sat down with the cello and remembering that he could play — played. His future and most loved teacher, Igor Bogdanovich Kadyuk was on the examination committee. He was an instructor at the Chernovtsy academy. He laughed, and was amused by the whole shady business. Later he went up to Zhenya and said: «Come on, let's give it a try!» Musicians understand what it means to learn to play an instrument at 16 — it is practically impossible to get anything of value from it. Kadyuk took Zhenya into the academy. Zhenya's mother, Nina Timofeevna Poturai, said that he took to his lessons like a condemned man, working at it for After the academy Zhenya was preparing to attend the Lvov conservatory, but he was overage, and was immediately swept up into the army. He ended up in a ‘hot spot' in Nagorny Karabakh. Zhenya did not like to talk about it, not even to his loved ones. He saw death close up, but did not have a bitter relationship with life, or injuries and guilt. He had not a drop of cynicism. On returning from the army, had not a thought for music. The father of an army pal was a military commander, and with his help Zhenya got admission to the KGB academy in Moscow. Once Zhenya was back among his Chernovtsy music friends, however, they convinced him to take up music again. He went home, practiced and studied for a year, then entered the Gnesin Institute. He was 22, at an age when most were already graduating. He was absorbed in the quartets; these were always for him the most interesting. He dreamed of forming his own quartet, and entering into competitions, but somehow this never came about. Later there were many places, and moonlighting. We met in the orchestra. It turned out that we were almost always working together. Zhenya did not want to work in a ‘symph' one bit. He got an idea to start his own group, along a jazz theme, and work that into a quartet. Zhenya started rearranging ‘Chattanooga
«Everything about a person should be beautiful: their face, clothes, and thoughts» And so it was with Yevgeniy Dmitrievich (Kochat): his face, his soul, everything! A light, bright personality with an improbable charisma and sense of humor, he radiated warmth and energy, which, like a magnet, attracted musicians to him. His ability to communicate, and his optimism and enthusiasm made the orchestra's atmosphere one confidence and dependability: one was always comfortable around him. An orchestra is a complex organism; each part has a function that assures their vital activity. Yevgeniy was the soul of the orchestra: at rehearsals he was could magnificently combine patience and yet be demanding and touching concerned and kindness to his colleagues. The world of music was his life, his oxygen. He breathed by it, receiving it like a magic gift from nature, which he tried to share with the audience. «A talent from God» — this is Yevgeniy. A solo performance by him in the concert cast a spell, the virtuosity of his playing caused unique enjoyment. With the first notes the unity of performer and listener takes place, distances disappear, boundaries between stage and concert hall are erased — spectators instantly are immersed in a wonderful land where «the magical violoncello is at first hysterically happy, then alarmingly gentle». It told oft beauty and the joy of life, of eternal truths — love, compassion, and self-sacrifice. Yevgeny's musical endowment was not limited to talented performances of known works; he created his own arrangements, and wrote several interesting instrumental arrangements of jazz pieces. 'Zhenya' dreamed of starting his own quartet, and readied a repertoire… October 26, 2002, was a day of mourning day for our orchestra, 'Times of the Year'. We were orphaned on this day: at the very start of his journey, Yevgeny's s life was cut short. A dependable friend with whom it was possible to «go reconnoitering», an excellent musician who generously gave the listener of «the wonderful moments of visions of pure beauty». A low bow to you, Yevgeniy Dmitrievich… Bright is the memory of a bright person! We remember!
His colleagues from the orchestra of ‘Times of the Year'
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