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memory book |
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Politkovskaya |
Ustinovskaya, Yekaterina |
Уже 22 года... |
24/10/24 13:38 more... |
author Аноним |
Kurbatova, Christina |
Детки Милые, хорошие наши детки!!! Так просто не должно быть, это больно, это нечестно, это ужасно. |
30/06/24 01:30 more... |
author Ольга |
Grishin, Alexey |
Памяти Алексея Дмитриевича Гришина Светлая память прекрасному человеку! Мы работали в ГМПС, тогда он был молодым начальником отдела металлов, подающим боль... |
14/11/23 18:27 more... |
author Бондарева Юлия |
Panteleev, Denis |
Вот уже и 21 год , а будто как вчера !!!! |
26/10/23 12:11 more... |
author Ирина |
Ustinovskaya, Yekaterina |
Помним. |
24/10/23 17:44 more... |
author Аноним |
Zhulev, Vladimir |
Written by Елена Жулева, жена | |||||||||
Четверг, 03 Май 2007 | |||||||||
Age 46; Russia, Moscow. Vladimir Zhulev was born in the city of Ramenskoye, in the Moscow district, on October 23rd, 1956. While in grade school there, he began to learn the violoncello. He studied at the Tsaritsino music academy, and later at the Gnesin Institute under A. Y. Georgian. After completing the institute in 1981, he served in the army. Later, he returned to the Gnesin Institute and played in the institute’s opera studio, as well in symphony orchestras led by Rozhdestvensky, Almeida, in the Moiseev ensemble, among others. For a time he was with the imperial symphony orchestra of Morocco. For three years he played violoncello for the Moscow Ensemble under the direction of Vladimir Tonkhi. I met Volodya (Vladimir) at the Gnesin opera studio in 1985. He was seven years older than me. We shared a music stand. I was a There came a time when we decided to try and work for different orchestras. The first serious competition that we played in was in Rozhdestvensky’s orchestra. Volodya was hired, but I was patted on the shoulder and told that though I played remarkably, the man should be the one to earn for the family. His serious work began, and tours. There were other collectives, and sooner or later Volodya began to work in the Moiseev Ensemble. The musicians there were not as busy, and had a chance to play elsewhere if they wished. When Vladimir Tonkhi put together his violoncello ensemble, Volodya hurried to join him. We worked and went on tours together, and played new compositions, including works written especially for our group, for example, ‘Quarterion’ by Gubaidullina. In this quartet occasionally played Misha Shumsky, and Zhenya Kochat, and so at October 23rd, the day of the attack, was Volodya’s birthday. He went to Volodya was an ingenious person, who never lost his He was sent straight to the morgue from the scene of the crime, together with the Chechens. Anton Kobozev also ended up there. They would not let us identify him in person; they just showed us photographs of the body, and his personal belongings. Judging from the pictures, it was clear to me that Volodya had come to. His face was not relaxed, like Anton’s, or Zhenya Kochat’s. He had an expression of someone who was suffocating, like a person who was not given help in time. It is impossible to forget… Volodya was a person, on the one hand, who was ordinary and everyday, but on the other hand, he was exceptional. He understood my problems, and one can say that he patiently raised me like an adult. I miss this creative person: we had always played and enjoyed the muses together, and consulted with each other. I will miss him, I suppose, for a very long time. Everything that happens later in life, I will compare to him… «Filarmonik» #4, 2002 Views: 13266 |
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